April 02, 2010
- ISBN13: 9780896895829
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
Product DescriptionGet the appearance of stained glass wall with some complex web fuse, an iron and a pair of scissors. quilt Canadian artists, Daphne Greig and Susan Purney Marcos, patterns of supply and instructions for eight beautiful tapestries and six smaller variations for fast fun projects. . . . More>>
April 2nd, 2010 at 10:11 pm
If the authors read this review, I have some questions on the site of the fusion of glass to make these quilts. I started the first draft tonight and for me (and my husband) instructions for use of the site of fusion have been very confused. There are two pieces of paper on the merger. I assume you removed the weakest, then place the sticky side of the site where the first job was taken on the part of the boss, and then the paper is pasted on the web. After obtaining a trace of the model right, then they were on the equipment used in the web sticking to the back of the material used and pressed paper remains stuck on the other side of the canvas? And then, leaving the role of the other side of the net, take and cut the pieces in the pattern, then remove the paper with the design drawn on it, and the fuse on that side of the discussion? It seems that if you press the pattern on the material used for the document on the website that the paper stick on the website and then stick to the subject development. But after cutting my model in the material used, it seems that the work is vague enough to be removed, but the web still attached to the development subject, after all this? Anyway, your instructions are very confusing and unclear and, in its next issue that you could clarify some. You do not say a word about how to remove the bulk paper before anything or side laying in the configuration web page with the other paper is still attached to trace. I know we say the footprints in the attached document on the web, but you do not know what to do before that date. Just a suggestion for me and my husband was struggling to understand. Having never used the site of fusion, which is confusing to say the least. I also think it is much easier to cut with scissors model knife, the knife tends to cut through some of the places and you need to go back and then try cutting again. But ultimately I think it’s a great book with many models of Nice. It is not easy to find, however, emphasis tissues. I went to an upholstery shop known today and I have not found many of them. I found that I can use an Oriental. But they are rare. Rating: 3 / 5